Home

Ljubomir Đurković: New outfita a mini -drama for tree voices in two acts

ACT ONE
First voice: Christina

It was my thirtieth birthday yesterday.
No cake, no candles.
No one sang:
Happy birthday
to you, Happy birthday to you,
Happy birthday, dear Christina,
Happy birthday to you!
No one!
And I was sitting for hours in
front of the mirror mechanically
rubbing in cream on my face
from which I hadn't removed
my morning make up,
trying to stop the wrinkles that
appeared round my eyes and
I cried the healthy birthday
cry while tears smeared my
make up. Tears of relief.
The tears of self-pity.
I was crying seated in a hotel
room searching for salvation
in the memory of the child
that used to be me.
But I couldn't remember it's
feelings.
Nor its moods.
Nor its face.
But I know that it was,
that he was,
she was,
he,
she,
sh-ee
even though I don't remember
who she was
or what she looked like,
what I looked like ? 'cause
all photos, all and video takes
of that boy that used to be me,
which my parents made, those
fanatic collectors of frozen
moments, happy over their
doll of flesh and blood, all
record was burned in a fire
when I was fourteen.
They burned together with
the walnut wood box.
The hand-made lock of wrought
copper was found in the ashes.
They burned together with the
box in which the remnants
of my body were disposed.
Remnants of their pink baby.
My first pulled-out milk tooth.
A curl cut on my first birthday.
I can hardly remember their
stories on how the pink mass
babbled something like mu-ddy,
which my fascinated and
overwhelmed parents interpreted
and discussed ad nausiem for years
that I actually wanted to say:
mummy-daddy.
Mu-ddy = muddy.
Even though now, while rubbing
the chamomile night cream into
pores that are getting wider on
some parts of my face, even though
I would now say that the gibberish
actually wanted to express my early
relation to the life that followed.
But, ah, yes-yes.
Together with that box full of my
remnant body clippings all
documents disappeared -
the monthly evidence of weight,
sore throats, bowel movements
and urine, accurate descriptions
of their density, color and smell
fastidiously marked down in
a notebook packed in a stiff
raspberry-colored binder.
On this was written:
KRSTO ŠOĆ,
born on 17th May 1970 at six,
thirty-five in Titograd.
Socialistic Republic of Montenegro.
When all that disappeared in
the fire which burned down
my parents' house the
fourteen-year-old boy felt fear for
the first time, which would grow
year after year adding new layers
to his adolescent soul...
Shit!
I disgust myself whenever I start
making literature of my memories.
Shit!
Double shit.
This little woman believing that
she made an enormous contribution
to human happiness doesn't
intend to climax..
Even though her speech escalates
every minute towards the orgasmic.
Brrrrrrrrrrrrrr.
I feel like fucking something.
I'd fuck someone.
I don't know what she's talking about,
but I see the passion she does it with.
I almost feel the sensual-intellectual
activity dripping from between her legs.
Sex-starved scientist giving herself
completely only to columns and graphs.
Sexual preference is a private matter.
A hot Mediterranean afternoon outside.
It's damp here.
It was my thirtieth birthday yesterday.
The party is tonight at nine.
I'm supposed to meet there this
motley crew.
The connective tissue of different
cultures.
The cartilage of mankind.
I hate the way they relax with wine.
I hate their pathetic babbling of the
world's imperfection.
Why babble now?
The world is falling apart anyway.
I think that this fucking
civilization is definitely going to hell.
I don't give a fuck.
It never deserved better!
I'll spend the time between the lecture
and dinner in my hotel room.
Masturbating under the shower.
In a cloud of steam.
With loud music from MTV.
So that nobody would hear me screech.
'Cause I screech whenever I come.
And I scream.
Like cattle at the slaughter.
I'll scream today too.
During the break between the lecture
and dinner.
Only three or four hours' ride away
from my hometown.
Where I haven't been for nine years.
Which doesn't have the same name
as the day I left it.
My parents died.
My only sister can't imagine that
her brother became a sister.
Krsto became Christina.
Who finished her Master's studies
at the Free University in Amsterdam.
And the young man that arrived
in Holland in October 1991 had
a passport from a country that
doesn't exist anymore.
There's no love in a non-existent
country.
I feel like fucking.
I feel like a hard fuck today.
I haven't been so horny since
the day I met Jeremiah.
Jeremiah is from Jamaica.
And he has a twin brother.
His name's Frankie.
I don't know why, but after
the morning lecture I told all this
to that cute assistant Ines.
The go-getter.
She's such a sweet, I'd lick her
like a lollipop.
She looked like she was about to cry.
And then she started boring me.
With her talk.
About Dalibor.
And plans for the future.
I escaped to the buffet.
And had three vodkas.
No lime.
No ice.
No Dalibor babble.
No love story.
I just wanna fuck.
I'll put on some bitchin' outfit
and make-up tonight that's
gonna get everybody hard

Second voice: Veton

I feel like a cigarette.
And I wanna pee.
I forgot to go to the toilet
because of that nosy Finn and
the discussion on Balkan relations.
The woman on my
left can't take her eyes off me.
Maybe this nausea comes
from that lousy food I ate a couple
of hours ago.
To quench my appetite.
Why's she staring at me like that?
Because she sees a sick man
for the first time?
Fat and bearded.
Sweating 'cause he's got a bad stomach.
'Cause he feels like smoking
and pissing at the same time.
'Cause the sticky afternoon
heat went to his head.
'Cause he's forty-three and
twenty kilos overweight.
'Cause if this nausea doesn't
come from bad food, then my
ulcer's gonna flare up again.
'Cause I don't give a shit for
the Swedish lady scientist's statistics
on human rights violations in Chile.
In the time of military junta.
Converted into percents rounded
to the third decimal.
Even though it has nothing to do
with the subject of the symposium.
Tolerating this piercing and squeezing
in the bladder is pure masochism.
Only an idiot would allow it.
I've gotta stand up and get out for
a second 'cause my bladder's
gonna explode.
I feel her stare on my back.
Maybe she wants me to fuck her?
Well, I don't give
a fuck for fucking today.
I'd rather smoke a cigarette and
have a beer!
She's leaning against me.
If my ulcer explodes, it's gonna
happen because of her or this dried
herring collecting other people's
misery for years, turning it into
numbers and columns.
Maybe this nausea comes from
the overload of incurable puffed up
highly-educated optimists.
Arrogant world-saviors.
Babblers.
Babblers babbling on the
imperfectness of human society.
Of the endemic Balkan evil.
Or something third.
They're setting the millennium scale.
December 31st 2000.
Who jumps over it can enter into
the Twenty First Century.
Into the heavenly garden of
globalization.
Into the promised land of
Capitalistic Communism!
Why don't I just stand up
and go for a justified pee.
And then light a cigarette.
Then a second.
The third.
I'll stand up, fuck'em.
I'm standing up.
I'm going.
Into the twenty first century
which is in my personal calendar
written with two zeros
or /d blju ci: or toilet.
And pronounced crapper, john,
shitcan.
I don't care that the chair's
gonna squeak when
I get up,
that everybody's gonna get
distracted from
the lecturer or
from whatever they're
driving in
their heads and give me a scornful
look because I'm disturbing
the sacred act performed by
Mrs. Stevenson.
Who could become a member
of the Saint's Committee for
the Nobel Prize One Day.
But, I'm not getting up and
I'm not going out.
I crouch over the desk and
close my eyes.
I've got pain under my left ribs.
And some subdermal piercing
under the right shoulder blade.
I'm positive I'm gonna have
huge problems over
the next few days.
And my ulcer's gonna explode like
a volcano.
This stomach bloating might come
from a sleepless night, though.
From too many coffees.
From the enormous amount
of cigarettes smoked.
I'll have to ease up on them.
Bullshit.
I know I can't ease up.
I've got to quit smoking.
Yes-or-No.
So, I'll quit smoking.
I promise.
First second of January first
two thousand I'll quit smoking.
At five to midnight of thirty
first December I'll light
my last cigarette.
I'll turn it off at exactly twenty
three hours fifty nine minutes
fifty nine seconds.
And in the last second of
the Twentieth Century I'll resolutely
breath out the last patch
of smoke from my lungs.
I'll smash the rest of the cigarettes
and chuck'em together with
the lighter into the old year.
Into the old century.
Into whatever old cock of the cock.
And that means another
two hundred twenty eight days
or five thousand four hundred
seventy two hours
or three hundred twenty eight thousand
three hundred twenty minutes
plus the time that remains till
the end of this day
I'll enjoy nicotine with the passion
of smoker who's been lighting cigarette
after cigarette for thirty years.
Twenty eight to go.
Twenty nine days...
Is it Tuesday or Wednesday today?
May sixteenth or seventeenth?
Fuck, I don't know
what day is today.
There's no sense
in spending such
a day in this murky room.
Pretending that I follow
lines of numbers
and curves
representing the amount
of human suffering.
While the same day the international
committees uncover mass graves.
In which only
last Summer, dredging
machines buried the bodies
of my neighbors.
And cousins.
Only a couple of hundred kilometers
away from this town.
Which was itself
ten years ago
under siege for months.
Shot by missiles
right in front
of the world's eyes.
This lousy air conditioning
isn't working right.
It's obvious.
I shouldn't allow myself to accept
any more invitations
to similar
assemblies in period from May first
to the first of October.
I've got to get out.
And drain out the liquid that's
gonna make my bladder explode.
Even if all the
we-bring-happiness-to-the-world
people would turn around with scorn.
I just wanna piss, guys, for God's sake.
This need for nicotine returned and
I begin fidgeting again.
This chair's squeaking.
Mrs. Stevenson's turning around and
coughs a little into her hand,
warning the person that disturbs
her presentation.
Who's the woman sitting at the
end of the table with
her hands crossed,
staring through the window.
She's much more corpulent than
many males in this hall?
She's attractive, though.
It's hot.
I should take a shower.
And change my outfit.
Before the dinner.
I've read somewhere that this is
the hottest May of the Twentieth Century.
The two thousandth May.
The final one.
Who's that woman?
What time is it?
What day is today?

Third voice: Ines

In just a few days, just a few
more days and I'll
be back with Dalibor.
Oh, my sweetie, I miss
him so much. I couldn't
make it through this
symposium without his support.
The symposium on redefining
cultural identities at
the end of 20th Century.
And Dalibor is cute, you know.
He doesn't resemble
the chap sitting
next to me a bit, beside
my right shoulder, sweating
and puffing
like a steam locomotive.
Smoking like a pipe.
Shaking and rumbling
like an overloaded truck
going up a gravel road.
And I'm not attracted to
him at all. I have to ring up Dalibor.
I should have called him
during the break.
And told him I loved him.
And heard his voice.
Whispering my name.
Because I'm out of strength.
But I won't cry. I mustn't cry.
I just have to finish this
symposium and I'll be free
as a bird, in the heavenly
garden, in his arms.
With him between
my thighs.
With him deep inside me.
Don't cry, don't cry. Resist.
Copy the curves
Mrs. Stevenson's
drawing on the blackboard.
Fill this notebook with
notes I'll never look at again
after I finish
the report from this
assembly. Just picture,
how hard it is for
the others... for some others,
in some wars, in prisons
and misery.
Just imagine that there
are people
who are thirsty and hungry,
the humiliated and
the oppressed.
Just imagine that things
could be worse.
It could always be worse.
Was it only a couple
of days ago, or a week ago
that a bomb
set in a Paris café
by Arab terrorists
blew up three people,
leaving several people crippled, don't you see invalids
on the streets of Zagreb
everyday with wounds
still fresh from war.
No, don't think about it.
You are supposed to
appear at that dinner
at nine, because
the director of
the institute asked you to,
because he char- ged
you with being
hostess tonight to
the participants and guests of
the symposium,
because you accepted,
took the task,
because you didn't have
the strength and pluck to deny,
because you never
have enough strength
and pluck to
deny anybody anything...
and at ten
already Dalibor will ring
you on your mobile and
you will excuse
yourself with a formal
apology mumbled just
for the sake
of appearances,
and then you will go and
sneak into bed and
chit-chat with him till
late at night, you'll
close your eyelids and
see his magical
green eyes, it will be
just as he were there,
his soft whisper will
embrace you,
his words will
lull you to sleep and you
will dream that you
two making love on a beach
amidst the sea foam,
a-a-a-a-a-a-a-a-aaahhhhhh!
I'll explode.
I feel so useless writing these
numbers
and graphs like a machine.
With no concentration,
no sense.
I mustn't allow that
bearded Spaniard to
distract me. That Portuguese.
Or whoever.
I didn't catch his name.
Nor where he comes from.
I'll look for a new job
in the fall.
I promised that both
to myself and Dalibor.
To look for a new job.
One that wouldn't drag
me away from him.
I owe that to both of us.
I'll go somewhere
in August. With Dalibor.
A one month cruise across
the Mediterranean?
Two or three weeks lazing
on some beach?
Šolta? Šolta maybe?
Or go back to Dubrovnik?
I'll let him decide.
I know he'll be glad about to.
I'm supposed to be at
the restaurant at quarter
past eight.
To make sure everything
is going according to plan.
They'll prepare a seafood
dinner.
For twenty four people.
The chap on my right
is fidgeting in his chair.
The chair is squeaking.
He looks like he wants
to ask me something.
Can you tell me what
day is today, please?
Or a similar phrase to
start the conversation with.
I would accept it,
knowing me.
Instead of telling him
to fuck off
and to follow
the Mrs. Stevenson's
lecture.
Which has nothing
at all to do with
the subject of the symposium,
but she's been prepar-
ing for it for more
than one and a half years.
With a research team.
And which Mr. Rosenberg,
the indisputable authority
in the field, received
approval from everybody
at the Boston symposium.
That must be respected.
My chief was there.
He didn't have the nerve
to refuse Mrs. Stevenson
when she expressed
her wish to take part
in this symposium.
Because Mrs. Stevenson
is enchanted
by the Mediterranean.
He accommodated it
by widening the approach
to the subject.
Though, I think it had
to do with
some kind of deal.
But I won't rack
my brain about it.
I'm tired. Of people reporting
to each other every month,
always from a different town.
And drinking a lot after rich dinners.
Like they will have tonight.
(But, without me, without me).
They'll liquefy themselves
with liters of prošek
and pošip wine.
I know their choices.
I know them inside out.
They'll plan to spend
the first free day (that's tomorrow,
right) at some hot Lokrum
cliff. To get a beautiful
bronze tan.
Which they will proudly
present to their acquaintances.
Making them slightly
envious. Because vacations
start there
only in a month or two.
In July and August.
I'm so sick I could cry.
I want to be with Dalibor.
Oh, darling, I miss
him so much.
Just a little bit longer,
just a little more and
Mrs. Stevenson
will ring the horn
marking the end.
I'll stand up and
I won't let
this puffing Portuguese
get on me with
his nose up my arse.
I'll go straight to the hotel.
To have a shower.
To change my outfit.
To ring up Dalibor.
To go to the restaurant.
To check things out.
To drink to the health of the
participants and guests.
On behalf of the
symposium organizers.
To eat my dinner.
To wait for Dalibor to call.

ACT TWO

Veton's hotel room.
Veton, Christina and Ines are singing.
Christina's laughing. Loudly.
Christina: Vodka or beer? Vodka and beer.
Veton: Beton.
Ines: Beton? What beton?
Veton: That's what I call the combination of vodka and beer. It means concrete.
Ines: I've never drank vodka or beer. I prefer wine.
Veton: Ines - vines.
Ines: Veton - beton.
Christina: They say that there is truth in wine. Bullshit.
Veton: The truth only gushes from me when I get betoned.
Ines: Really? How come?
Vetin: Orgasmically.
Ines: How do you know what the truth is - when you get betoned?
Veton: Just like that. The thick white truth bursts out of me.
Ines: Your truth has density and color?!
Christina: His truth has specific weight and I have a nervous breakdown. Black-out. Later I don't remember what happened to me.
Veton: And you? What about your truth?
Ines: When I drink wine I like to sing.
Christina: He who sings doesn't mean evil.
Veton: He who means, doesn't sing evil.
Christina: I don't like having breakdown.
Ines: So, why are you drinking that, this beton?
Veton: With armatures..
Ines: Yes. Why?
Christina: Well, to breakdown.
Ines: You said you didn't like it when you have a breakdown.
Christina: I never claimed that in beton with armatures is truth. Veton claimed it.
Ines: You're crazy.
Christina: Who said I'm not?
Ines: No, I mean, you are intelligent...
Veton: And a beautiful and charming woman.
Christina: You're hitting on me?
Veton: Yes.
Christina: Don't give up, please. They say that it pays not to give up.
Veton: People who know me say I never give up.
Ines: Hey, guys, I'm here. Kissing in front of me...
Christina: You don't bother us.
Veton: On the contrary. Ines is also beautiful, charming, sex-appealing...
Christina: Intelligent.
Ines: Please! I thank you for compliments, but, still, please...
Veton: What do you want, honey?
Christina: What do you want, baby?
Ines: Stop it! Hey, stop it!
Christina: You're shy too, I love that. Give me kiss!
Ines: Please, Christina, don't... don't please... plea...
Christina: OK. If you really don't want it, OK. I give up. I've never raped a woman before.
Veton: And a man?
Christina: No one has sued me.
Ines: Veton, you're in danger. But, don't worry, I'll protect you.
Veton: Come here, hold me. Protect me.
Ines: You're...
Christina: Animals?
Ines: I was by no means about to say that. I mean, you are...
Veton: Horny?
Ines: Something like that, yes, that's right, something like that...
Christina: You attract me.
Ines: But I'm a woman!
Christina: So what, I'm a woman too.
Veton: So she is. And a very attractive one.
Christina: Sexy?
Veton: Mmmmm... You make me hot.
Christina: Really?
Veton: I'm burning.
Christina: Where?
Veton: Between my legs.
Ines: I'll call the firemen.
Christina: No need to do that. Come here, Vetony-betony, I'll put out your fire. I'm so wet.
Veton: Where?
Christina: Between my legs.
Ines: You're drunk, you're drunk...
Christina: Not as much as we will be.
Veton: To the end?
Christina: To the balls!
Ines: You're acting like a man. A primitive macho...
Christina: Cheers! Veton, how do you say "cheers" in Albanian?
Veton: Gzuar.
Christina: Gzuar! Ines, honey, gzuar!
Ines: I can't take any more of this! I don't want to betone myself.
Veton: It's only a sip more or less. What difference does it make?
Ines: I shouldn't. I'm already dizzy.
Christina: That's because of the wine. Beton is better. Veton. What does "veton" actually mean in Albanian?
Veton: Thunderbolt.
Christina: I like it. I'll have to check that one.
Ines: Let's sing!
Christina: Let's smooch a little. Ines, honey, come here, let's cuddle! Please! Why're you running away from me?
Ines: Let's sing! When I drink I like to sing.
Veton: When I drink I like to fuck.
Ines: What a lout!
Christina: Is it only when you drink?
Veton: I like it then specially.
Christina: Nomen is omen. Fuck me! Like a thunderbolt.
Ines: What are you talking about? What fucking?
Veton: Come here... I'm dying to demonstrate the thunderbolt to you. From the clitoris through the spinal cord all the way to the cerebellum...
Ines: You're crazy! Let's sing!
(Sings.
Crack of glass.)
Christina: You'll break all the glasses, hey! Watch your step!
Ines: He's not walking anymore. He's stumbling.
Veton: I fuck best when I stumble.
Ines: You're horny as a goat.
Veton: I'm not a Goat, I'm a Scorpio. Born on November13th.
Ines: And your Moon is in...
Veton: Scorpio. And you?
Ines: Sagittarius. December Twenty first.
Veton: Year?
Ines: 1967. They say that Scorpios are the best lovers. Is that true?
Veton: How about I prove it to you?
Christina: Nobody fucked me like two brothers. Twins. Born in the sign of Aries...
Ines: I heard, though, that Scorpios...
Veton (singing): Nobody like me, Nobody like me...
Christina: Why should I trust your word?
Veton: Want me to show you?
Christina: Show me! Show us both.
(Crack of glass.)
Ines: Don't break the glasses! Jesus Christ, what lunatics!
Christina: No, actually, he's hard and I'm wet...
Veton: I'm a betoned, horny...
Christina: Want me to give you a blow job?
Veton: I can't refuse. I mean, we're friends, right?
Ines: Let's sing!
(Sings)
Christina: You know, I used to be a man once...
Veton: While I was... I was... was... What was I?
Ines: I thought you were Portuguese, you know, before I met you. Or Spanish.
Veton: Well I am.
Ines: What?
Veton: The Portuguese-Basque-Dutch-German Albanian.
(Crack of glass.)
Ines: Hey, you'll break all the glasses!
Christina: You smash one. Relax.
Ines: I won't.
Christina: Like this.
(Crash of glass.)
Veton: Like this.
(Crash of glass.)
Christina: Like this.
(Crash of glass.)
Ines: Like this.
(Crash of glass.)
Veton: Bravo!
Ines: No more left.
Veton: We'll drink from the bottle.
Christina: Pass me the wine!
Ines: Drinking wine now? !
Christina: Veton, baby, I want you to thunderbolt me. Ines, how about I fuck you?
Ines: I don't want to.
Veton: She can't anyway, she's got no dick.
Ines: What a lout!
Christina: I like you that way. True and horny.
Veton: So, we can make love?
Ines: No... Yes... I'm looped, I don't know what I'm talking about...
Christina: In vino veritas.
Veton: Ines-vines-veritus-fuckitus...
Ines: The correct word is - veritas.
Veton: I know, but I needed a rhyme. Give me a kiss. Christina, come here, give'r a kiss. Now give me a kiss. Now her. Now me.

THE END

Translated by: Jelena Stanovnik

40. Ratkovićeve večeri poezije
07. 09. 2010.
Uručenjem glavne nagrade "Risto Ratković" pjesniku Ivici Prtenjači, sinoć su u Bijelom Polju završene 40. Ratkovićeve večeri poezije. Ovogodišnji žiri u sastavu Marinko Vorgić (predsjednik), ... detaljnije
 
Rezultati konkursa Gradske priče
02. 09. 2010.
Evropski centar za kulturu i debatu GRAD objavio je imena autora najboljih priča sa konkursa za kratku priču na temu "Gradske priče".

Uskoro će biti objavljena i zbirka "Gradske priče" u kojoj će se... detaljnije
 
Online izdanje “Unutrašnje sobe”
12. 07. 2010.
Knjiga "Unutrašnja soba" (”Chambre intérieure”) Ljubete Labovića, objavljena u izdanju Otvorenog kulturnog foruma Cetinje, a povodom Labovićevog učešća na književnom festivalu ... detaljnije
 
Arhiva vijesti