ACT ONE
First voice: Christina It was my thirtieth birthday yesterday. No cake, no candles. No one sang: Happy birthday to you, Happy birthday to you, Happy birthday, dear Christina, Happy birthday to you! No one! And I was sitting for hours in front of the mirror mechanically rubbing in cream on my face from which I hadn't removed my morning make up, trying to stop the wrinkles that appeared round my eyes and I cried the healthy birthday cry while tears smeared my make up. Tears of relief. The tears of self-pity. I was crying seated in a hotel room searching for salvation in the memory of the child that used to be me. But I couldn't remember it's feelings. Nor its moods. Nor its face. But I know that it was, that he was, she was, he, she, sh-ee even though I don't remember who she was or what she looked like, what I looked like ? 'cause all photos, all and video takes of that boy that used to be me, which my parents made, those fanatic collectors of frozen moments, happy over their doll of flesh and blood, all record was burned in a fire when I was fourteen. They burned together with the walnut wood box. The hand-made lock of wrought copper was found in the ashes. They burned together with the box in which the remnants of my body were disposed. Remnants of their pink baby. My first pulled-out milk tooth. A curl cut on my first birthday. I can hardly remember their stories on how the pink mass babbled something like mu-ddy, which my fascinated and overwhelmed parents interpreted and discussed ad nausiem for years that I actually wanted to say: mummy-daddy. Mu-ddy = muddy. Even though now, while rubbing the chamomile night cream into pores that are getting wider on some parts of my face, even though I would now say that the gibberish actually wanted to express my early relation to the life that followed. But, ah, yes-yes. Together with that box full of my remnant body clippings all documents disappeared - the monthly evidence of weight, sore throats, bowel movements and urine, accurate descriptions of their density, color and smell fastidiously marked down in a notebook packed in a stiff raspberry-colored binder. On this was written: KRSTO ŠOĆ, born on 17th May 1970 at six, thirty-five in Titograd. Socialistic Republic of Montenegro. When all that disappeared in the fire which burned down my parents' house the fourteen-year-old boy felt fear for the first time, which would grow year after year adding new layers to his adolescent soul... Shit! I disgust myself whenever I start making literature of my memories. Shit! Double shit. This little woman believing that she made an enormous contribution to human happiness doesn't intend to climax.. Even though her speech escalates every minute towards the orgasmic. Brrrrrrrrrrrrrr. I feel like fucking something. I'd fuck someone. I don't know what she's talking about, but I see the passion she does it with. I almost feel the sensual-intellectual activity dripping from between her legs. Sex-starved scientist giving herself completely only to columns and graphs. Sexual preference is a private matter. A hot Mediterranean afternoon outside. It's damp here. It was my thirtieth birthday yesterday. The party is tonight at nine. I'm supposed to meet there this motley crew. The connective tissue of different cultures. The cartilage of mankind. I hate the way they relax with wine. I hate their pathetic babbling of the world's imperfection. Why babble now? The world is falling apart anyway. I think that this fucking civilization is definitely going to hell. I don't give a fuck. It never deserved better! I'll spend the time between the lecture and dinner in my hotel room. Masturbating under the shower. In a cloud of steam. With loud music from MTV. So that nobody would hear me screech. 'Cause I screech whenever I come. And I scream. Like cattle at the slaughter. I'll scream today too. During the break between the lecture and dinner. Only three or four hours' ride away from my hometown. Where I haven't been for nine years. Which doesn't have the same name as the day I left it. My parents died. My only sister can't imagine that her brother became a sister. Krsto became Christina. Who finished her Master's studies at the Free University in Amsterdam. And the young man that arrived in Holland in October 1991 had a passport from a country that doesn't exist anymore. There's no love in a non-existent country. I feel like fucking. I feel like a hard fuck today. I haven't been so horny since the day I met Jeremiah. Jeremiah is from Jamaica. And he has a twin brother. His name's Frankie. I don't know why, but after the morning lecture I told all this to that cute assistant Ines. The go-getter. She's such a sweet, I'd lick her like a lollipop. She looked like she was about to cry. And then she started boring me. With her talk. About Dalibor. And plans for the future. I escaped to the buffet. And had three vodkas. No lime. No ice. No Dalibor babble. No love story. I just wanna fuck. I'll put on some bitchin' outfit and make-up tonight that's gonna get everybody hard | Second voice: Veton
I feel like a cigarette. And I wanna pee. I forgot to go to the toilet because of that nosy Finn and the discussion on Balkan relations. The woman on my left can't take her eyes off me. Maybe this nausea comes from that lousy food I ate a couple of hours ago. To quench my appetite. Why's she staring at me like that? Because she sees a sick man for the first time? Fat and bearded. Sweating 'cause he's got a bad stomach. 'Cause he feels like smoking and pissing at the same time. 'Cause the sticky afternoon heat went to his head. 'Cause he's forty-three and twenty kilos overweight. 'Cause if this nausea doesn't come from bad food, then my ulcer's gonna flare up again. 'Cause I don't give a shit for the Swedish lady scientist's statistics on human rights violations in Chile. In the time of military junta. Converted into percents rounded to the third decimal. Even though it has nothing to do with the subject of the symposium. Tolerating this piercing and squeezing in the bladder is pure masochism. Only an idiot would allow it. I've gotta stand up and get out for a second 'cause my bladder's gonna explode. I feel her stare on my back. Maybe she wants me to fuck her? Well, I don't give a fuck for fucking today. I'd rather smoke a cigarette and have a beer! She's leaning against me. If my ulcer explodes, it's gonna happen because of her or this dried herring collecting other people's misery for years, turning it into numbers and columns. Maybe this nausea comes from the overload of incurable puffed up highly-educated optimists. Arrogant world-saviors. Babblers. Babblers babbling on the imperfectness of human society. Of the endemic Balkan evil. Or something third. They're setting the millennium scale. December 31st 2000. Who jumps over it can enter into the Twenty First Century. Into the heavenly garden of globalization. Into the promised land of Capitalistic Communism! Why don't I just stand up and go for a justified pee. And then light a cigarette. Then a second. The third. I'll stand up, fuck'em. I'm standing up. I'm going. Into the twenty first century which is in my personal calendar written with two zeros or /d blju ci: or toilet. And pronounced crapper, john, shitcan. I don't care that the chair's gonna squeak when I get up, that everybody's gonna get distracted from the lecturer or from whatever they're driving in their heads and give me a scornful look because I'm disturbing the sacred act performed by Mrs. Stevenson. Who could become a member of the Saint's Committee for the Nobel Prize One Day. But, I'm not getting up and I'm not going out. I crouch over the desk and close my eyes. I've got pain under my left ribs. And some subdermal piercing under the right shoulder blade. I'm positive I'm gonna have huge problems over the next few days. And my ulcer's gonna explode like a volcano. This stomach bloating might come from a sleepless night, though. From too many coffees. From the enormous amount of cigarettes smoked. I'll have to ease up on them. Bullshit. I know I can't ease up. I've got to quit smoking. Yes-or-No. So, I'll quit smoking. I promise. First second of January first two thousand I'll quit smoking. At five to midnight of thirty first December I'll light my last cigarette. I'll turn it off at exactly twenty three hours fifty nine minutes fifty nine seconds. And in the last second of the Twentieth Century I'll resolutely breath out the last patch of smoke from my lungs. I'll smash the rest of the cigarettes and chuck'em together with the lighter into the old year. Into the old century. Into whatever old cock of the cock. And that means another two hundred twenty eight days or five thousand four hundred seventy two hours or three hundred twenty eight thousand three hundred twenty minutes plus the time that remains till the end of this day I'll enjoy nicotine with the passion of smoker who's been lighting cigarette after cigarette for thirty years. Twenty eight to go. Twenty nine days... Is it Tuesday or Wednesday today? May sixteenth or seventeenth? Fuck, I don't know what day is today. There's no sense in spending such a day in this murky room. Pretending that I follow lines of numbers and curves representing the amount of human suffering. While the same day the international committees uncover mass graves. In which only last Summer, dredging machines buried the bodies of my neighbors. And cousins. Only a couple of hundred kilometers away from this town. Which was itself ten years ago under siege for months. Shot by missiles right in front of the world's eyes. This lousy air conditioning isn't working right. It's obvious. I shouldn't allow myself to accept any more invitations to similar assemblies in period from May first to the first of October. I've got to get out. And drain out the liquid that's gonna make my bladder explode. Even if all the we-bring-happiness-to-the-world people would turn around with scorn. I just wanna piss, guys, for God's sake. This need for nicotine returned and I begin fidgeting again. This chair's squeaking. Mrs. Stevenson's turning around and coughs a little into her hand, warning the person that disturbs her presentation. Who's the woman sitting at the end of the table with her hands crossed, staring through the window. She's much more corpulent than many males in this hall? She's attractive, though. It's hot. I should take a shower. And change my outfit. Before the dinner. I've read somewhere that this is the hottest May of the Twentieth Century. The two thousandth May. The final one. Who's that woman? What time is it? What day is today? | Third voice: Ines
In just a few days, just a few more days and I'll be back with Dalibor. Oh, my sweetie, I miss him so much. I couldn't make it through this symposium without his support. The symposium on redefining cultural identities at the end of 20th Century. And Dalibor is cute, you know. He doesn't resemble the chap sitting next to me a bit, beside my right shoulder, sweating and puffing like a steam locomotive. Smoking like a pipe. Shaking and rumbling like an overloaded truck going up a gravel road. And I'm not attracted to him at all. I have to ring up Dalibor. I should have called him during the break. And told him I loved him. And heard his voice. Whispering my name. Because I'm out of strength. But I won't cry. I mustn't cry. I just have to finish this symposium and I'll be free as a bird, in the heavenly garden, in his arms. With him between my thighs. With him deep inside me. Don't cry, don't cry. Resist. Copy the curves Mrs. Stevenson's drawing on the blackboard. Fill this notebook with notes I'll never look at again after I finish the report from this assembly. Just picture, how hard it is for the others... for some others, in some wars, in prisons and misery. Just imagine that there are people who are thirsty and hungry, the humiliated and the oppressed. Just imagine that things could be worse. It could always be worse. Was it only a couple of days ago, or a week ago that a bomb set in a Paris café by Arab terrorists blew up three people, leaving several people crippled, don't you see invalids on the streets of Zagreb everyday with wounds still fresh from war. No, don't think about it. You are supposed to appear at that dinner at nine, because the director of the institute asked you to, because he char- ged you with being hostess tonight to the participants and guests of the symposium, because you accepted, took the task, because you didn't have the strength and pluck to deny, because you never have enough strength and pluck to deny anybody anything... and at ten already Dalibor will ring you on your mobile and you will excuse yourself with a formal apology mumbled just for the sake of appearances, and then you will go and sneak into bed and chit-chat with him till late at night, you'll close your eyelids and see his magical green eyes, it will be just as he were there, his soft whisper will embrace you, his words will lull you to sleep and you will dream that you two making love on a beach amidst the sea foam, a-a-a-a-a-a-a-a-aaahhhhhh! I'll explode. I feel so useless writing these numbers and graphs like a machine. With no concentration, no sense. I mustn't allow that bearded Spaniard to distract me. That Portuguese. Or whoever. I didn't catch his name. Nor where he comes from. I'll look for a new job in the fall. I promised that both to myself and Dalibor. To look for a new job. One that wouldn't drag me away from him. I owe that to both of us. I'll go somewhere in August. With Dalibor. A one month cruise across the Mediterranean? Two or three weeks lazing on some beach? Šolta? Šolta maybe? Or go back to Dubrovnik? I'll let him decide. I know he'll be glad about to. I'm supposed to be at the restaurant at quarter past eight. To make sure everything is going according to plan. They'll prepare a seafood dinner. For twenty four people. The chap on my right is fidgeting in his chair. The chair is squeaking. He looks like he wants to ask me something. Can you tell me what day is today, please? Or a similar phrase to start the conversation with. I would accept it, knowing me. Instead of telling him to fuck off and to follow the Mrs. Stevenson's lecture. Which has nothing at all to do with the subject of the symposium, but she's been prepar- ing for it for more than one and a half years. With a research team. And which Mr. Rosenberg, the indisputable authority in the field, received approval from everybody at the Boston symposium. That must be respected. My chief was there. He didn't have the nerve to refuse Mrs. Stevenson when she expressed her wish to take part in this symposium. Because Mrs. Stevenson is enchanted by the Mediterranean. He accommodated it by widening the approach to the subject. Though, I think it had to do with some kind of deal. But I won't rack my brain about it. I'm tired. Of people reporting to each other every month, always from a different town. And drinking a lot after rich dinners. Like they will have tonight. (But, without me, without me). They'll liquefy themselves with liters of prošek and pošip wine. I know their choices. I know them inside out. They'll plan to spend the first free day (that's tomorrow, right) at some hot Lokrum cliff. To get a beautiful bronze tan. Which they will proudly present to their acquaintances. Making them slightly envious. Because vacations start there only in a month or two. In July and August. I'm so sick I could cry. I want to be with Dalibor. Oh, darling, I miss him so much. Just a little bit longer, just a little more and Mrs. Stevenson will ring the horn marking the end. I'll stand up and I won't let this puffing Portuguese get on me with his nose up my arse. I'll go straight to the hotel. To have a shower. To change my outfit. To ring up Dalibor. To go to the restaurant. To check things out. To drink to the health of the participants and guests. On behalf of the symposium organizers. To eat my dinner. To wait for Dalibor to call. | ACT TWO
Veton's hotel room. Veton, Christina and Ines are singing. Christina's laughing. Loudly. Christina: Vodka or beer? Vodka and beer. Veton: Beton. Ines: Beton? What beton? Veton: That's what I call the combination of vodka and beer. It means concrete. Ines: I've never drank vodka or beer. I prefer wine. Veton: Ines - vines. Ines: Veton - beton. Christina: They say that there is truth in wine. Bullshit. Veton: The truth only gushes from me when I get betoned. Ines: Really? How come? Vetin: Orgasmically. Ines: How do you know what the truth is - when you get betoned? Veton: Just like that. The thick white truth bursts out of me. Ines: Your truth has density and color?! Christina: His truth has specific weight and I have a nervous breakdown. Black-out. Later I don't remember what happened to me. Veton: And you? What about your truth? Ines: When I drink wine I like to sing. Christina: He who sings doesn't mean evil. Veton: He who means, doesn't sing evil. Christina: I don't like having breakdown. Ines: So, why are you drinking that, this beton? Veton: With armatures.. Ines: Yes. Why? Christina: Well, to breakdown. Ines: You said you didn't like it when you have a breakdown. Christina: I never claimed that in beton with armatures is truth. Veton claimed it. Ines: You're crazy. Christina: Who said I'm not? Ines: No, I mean, you are intelligent... Veton: And a beautiful and charming woman. Christina: You're hitting on me? Veton: Yes. Christina: Don't give up, please. They say that it pays not to give up. Veton: People who know me say I never give up. Ines: Hey, guys, I'm here. Kissing in front of me... Christina: You don't bother us. Veton: On the contrary. Ines is also beautiful, charming, sex-appealing... Christina: Intelligent. Ines: Please! I thank you for compliments, but, still, please... Veton: What do you want, honey? Christina: What do you want, baby? Ines: Stop it! Hey, stop it! Christina: You're shy too, I love that. Give me kiss! Ines: Please, Christina, don't... don't please... plea... Christina: OK. If you really don't want it, OK. I give up. I've never raped a woman before. Veton: And a man? Christina: No one has sued me. Ines: Veton, you're in danger. But, don't worry, I'll protect you. Veton: Come here, hold me. Protect me. Ines: You're... Christina: Animals? Ines: I was by no means about to say that. I mean, you are... Veton: Horny? Ines: Something like that, yes, that's right, something like that... Christina: You attract me. Ines: But I'm a woman! Christina: So what, I'm a woman too. Veton: So she is. And a very attractive one. Christina: Sexy? Veton: Mmmmm... You make me hot. Christina: Really? Veton: I'm burning. Christina: Where? Veton: Between my legs. Ines: I'll call the firemen. Christina: No need to do that. Come here, Vetony-betony, I'll put out your fire. I'm so wet. Veton: Where? Christina: Between my legs. Ines: You're drunk, you're drunk... Christina: Not as much as we will be. Veton: To the end? Christina: To the balls! Ines: You're acting like a man. A primitive macho... Christina: Cheers! Veton, how do you say "cheers" in Albanian? Veton: Gzuar. Christina: Gzuar! Ines, honey, gzuar! Ines: I can't take any more of this! I don't want to betone myself. Veton: It's only a sip more or less. What difference does it make? Ines: I shouldn't. I'm already dizzy. Christina: That's because of the wine. Beton is better. Veton. What does "veton" actually mean in Albanian? Veton: Thunderbolt. Christina: I like it. I'll have to check that one. Ines: Let's sing! Christina: Let's smooch a little. Ines, honey, come here, let's cuddle! Please! Why're you running away from me? Ines: Let's sing! When I drink I like to sing. Veton: When I drink I like to fuck. Ines: What a lout! Christina: Is it only when you drink? Veton: I like it then specially. Christina: Nomen is omen. Fuck me! Like a thunderbolt. Ines: What are you talking about? What fucking? Veton: Come here... I'm dying to demonstrate the thunderbolt to you. From the clitoris through the spinal cord all the way to the cerebellum... Ines: You're crazy! Let's sing! (Sings. Crack of glass.) Christina: You'll break all the glasses, hey! Watch your step! Ines: He's not walking anymore. He's stumbling. Veton: I fuck best when I stumble. Ines: You're horny as a goat. Veton: I'm not a Goat, I'm a Scorpio. Born on November13th. Ines: And your Moon is in... Veton: Scorpio. And you? Ines: Sagittarius. December Twenty first. Veton: Year? Ines: 1967. They say that Scorpios are the best lovers. Is that true? Veton: How about I prove it to you? Christina: Nobody fucked me like two brothers. Twins. Born in the sign of Aries... Ines: I heard, though, that Scorpios... Veton (singing): Nobody like me, Nobody like me... Christina: Why should I trust your word? Veton: Want me to show you? Christina: Show me! Show us both. (Crack of glass.) Ines: Don't break the glasses! Jesus Christ, what lunatics! Christina: No, actually, he's hard and I'm wet... Veton: I'm a betoned, horny... Christina: Want me to give you a blow job? Veton: I can't refuse. I mean, we're friends, right? Ines: Let's sing! (Sings) Christina: You know, I used to be a man once... Veton: While I was... I was... was... What was I? Ines: I thought you were Portuguese, you know, before I met you. Or Spanish. Veton: Well I am. Ines: What? Veton: The Portuguese-Basque-Dutch-German Albanian. (Crack of glass.) Ines: Hey, you'll break all the glasses! Christina: You smash one. Relax. Ines: I won't. Christina: Like this. (Crash of glass.) Veton: Like this. (Crash of glass.) Christina: Like this. (Crash of glass.) Ines: Like this. (Crash of glass.) Veton: Bravo! Ines: No more left. Veton: We'll drink from the bottle. Christina: Pass me the wine! Ines: Drinking wine now? ! Christina: Veton, baby, I want you to thunderbolt me. Ines, how about I fuck you? Ines: I don't want to. Veton: She can't anyway, she's got no dick. Ines: What a lout! Christina: I like you that way. True and horny. Veton: So, we can make love? Ines: No... Yes... I'm looped, I don't know what I'm talking about... Christina: In vino veritas. Veton: Ines-vines-veritus-fuckitus... Ines: The correct word is - veritas. Veton: I know, but I needed a rhyme. Give me a kiss. Christina, come here, give'r a kiss. Now give me a kiss. Now her. Now me.
THE END
Translated by: Jelena Stanovnik |